The Hatred of Poetry by Ben Lerner
No art has been denounced as often as poetry. It’s even bemoaned by poets: ‘I, too, dislike it,’ wrote Marianne Moore. ‘Many more people agree they hate poetry,’ Ben Lerner writes, ‘than can agree what poetry is. I, too, dislike it and have largely organized my life around it and do not experience that as a contradiction because poetry and the hatred of poetry are inextricable in ways it is my purpose to explore.’ In The Hatred of Poetry, Lerner has crafted an entertaining, personal, and entirely original examination of a vocation no less essential for being impossible.
“[Ben Lerner]…is a courageous, immensely intelligent artist who panders to no one and yet is a delight to read.” Jeffrey Eugenides
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No art has been denounced as often as poetry. It’s even bemoaned by poets: ‘I, too, dislike it,’ wrote Marianne Moore. ‘Many more people agree they hate poetry,’ Ben Lerner writes, ‘than can agree what poetry is. I, too, dislike it and have largely organized my life around it and do not experience that as a contradiction because poetry and the hatred of poetry are inextricable in ways it is my purpose to explore.’
In this inventive and lucid essay, Lerner takes the hatred of poetry as the starting point of his defence of the art. He examines poetry’s greatest haters (beginning with Plato’s famous claim that an ideal city had no place for poets, who would only corrupt and mislead the young) and both its greatest and worst practitioners, providing inspired close readings of Keats, Dickinson, McGonagall, Whitman, and others. Throughout, he attempts to explain the noble failure at the heart of every truly great and truly horrible poem: the impulse to launch the experience of an individual into a timeless communal existence. In The Hatred of Poetry, Lerner has crafted an entertaining, personal, and entirely original examination of a vocation no less essential for being impossible.
‘The hatred of poetry, Mr Lerner shows, can suddenly and revealingly become a vehicle for bitter politics. Yet he also sees communal redemption in the strange bond people have with this ancient art form: if we constantly think poetry is an embarrassing failure, then that means that we still, somewhere, have faith that it can succeed.’
— The Economist
‘What results [from The Hatred of Poetry] is the ars poetica by one of America’s very best writers in any mode.’
‘The Hatred of Poetry doesn’t have a problem with gravity; it’s a heavyweight belter which demands concentration and patience. This longform essay by the noted novelist, poet and academic on the doomed, but precious, enterprise of poetry does, however, reward effort.’
— Jane Graham, The Big Issue
Praise for 10:04
‘A generous, provocative, ambitious Chinese box of a novel, 10:04 is a near-perfect piece of literature, affirmative of both life and art, written with the full force of Lerner’s intellectual, aesthetic, and empathetic powers, which are as considerable as they are vitalizing.’
— Maggie Nelson, Los Angeles Review of Books
‘Ben Lerner is a brilliant novelist, and one unafraid to make of the novel something truly new. 10:04 is a work of endless wit, pleasure, relevance, and vitality.’
— Rachel Kushner, author of The Flamethrowers
‘Frequently brilliant … Lerner writes with a poet’s attention to language.’
— Hari Kunzru, New York Times
Praise for Leaving the Atocha Station
‘Hilarious and cracklingly intelligent, fully alive and original in every sentence, and abuzz with the feel of our late-late-modern moment.’
— Jonathan Franzen, Guardian
‘A work so luminously original in style and form as to seem like a premonition, a comet from the future.’
— Geoff Dyer, Observer
‘[A] subtle, sinuous, and very funny first novel… There are wonderful sentences and jokes on almost every page.’
— James Wood, New Yorker
‘An extraordinary novel about the intersections of art and reality in contemporary life.’
— John Ashbery
Ben Lerner was born in Topeka, Kansas, in 1979. He has received fellowships from the Fulbright, Guggenheim, and MacArthur Foundations, and is the author of two internationally acclaimed novels, Leaving the Atocha Station and 10:04. He has published three poetry collections: The Lichtenberg Figures, Angle of Yaw, and Mean Free Path. Lerner is a professor of English at Brooklyn College.
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