The painter’s chair / Attending by Fiona Sampson
like a new
thought or like
the curlew’s
call that
doublejoints
across the SoundDecember 3, 2024Dent by Myna Trustram
lichen spatters hawthorn branches like paint on a studio floor.
November 22, 2024Mama, en route by Coco Lone Neal
When I was eleven years old, for four days my father and I walked and camped, naming the places we passed.
November 18, 2024Under Scythe-like Wings by Ian Grosz
…in its ageless song we felt Orkney’s long-absent presences.
October 25, 2024Brute Force with Art by Laura Parker
Working away quietly, the voles and mice would play about him, the curlews, peewits and crows ‘take him for granted.’
October 18, 2024The Bungalow by Ken Worpole
Grandma Elvin was always in demand as a fortune-teller, as well as being accomplished in other psychic gifts.
September 23, 2024Gulls Dreaming by Ann Lingard
She spreads her wings, tilting them to capture the full power of the lift.
September 9, 2024Wild Twin by Jeff Young, an extract
It’s seven o’clock on a Monday morning in March, sometime in the 1970s, and I’m not going to work.
August 28, 2024Hardy’s Knuckles by Estelle Phillips
Made from silica rich seawater squeezed out of plankton, flint formed in gaps between compacted chalk.
August 27, 2024The Machinery of a Hare by Tim Hannigan
I’ve seen plenty of hares since, but the sense of the uncanny at each encounter has never entirely faded.
August 19, 2024A Year of Cows by S. V. Morgan (Part Two)
When they are a little older, they respond in kind and groom their mothers, sometimes other cows too.
August 12, 2024Dear Kadu by Pam Zinneman-Hope
At the beach we hunt
among Jurassic clays and shales
scanning and sifting the Charmouth shingle,
searching the shoreline.
July 22, 2024
About
THE CLEARING is an online journal published by Little Toller Books that offers writers and artists a dedicated space in which to explore and celebrate the landscapes we live in. Our contributors are encouraged to go forth and find distinctive visions that startle us, rural or urban, modern or prehistoric, industrial, post-industrial, fantastical, natural, political, however they come. But each must be meaningful, surprising, felt.
Submissions
The editors welcome original submissions in written, audio and visual genres. Submission should reflect The Clearing/Little Toller’s concern with the natural environment, but within this broad subject-matter we encourage a diversity of interpretation and approach.
If you’d like to submit work to The Clearing, please email theclearing@littletoller.co.uk. Please refer to the submission guidelines. While we receive many submissions we will get back to you as soon as we are able.
Categories
- Diary (33)
- Essay (220)
- Film (15)
- illustration (11)
- Interview (14)
- Photography (4)
- Podcast (6)
- Poetry (122)
- Reading (2)
- Short Story (1)
You May Also Like
- The painter’s chair / Attending by Fiona Sampsonlike a new thought or like the curlew’s call that doublejoints across the Sound […]
- Dent by Myna Trustramlichen spatters hawthorn branches like paint on a studio floor. […]
- Mama, en route by Coco Lone NealWhen I was eleven years old, for four days my father and I walked and camped, naming the places we passed. […]
Podcast
From the Archive
- Four Ways of Looking at the CoastThis week we’re visiting the coast, that vibrant boundary zone, …
- Four New Animal PoemsAs a species, some of our first forays into art …
- Dent by Myna Trustramlichen spatters hawthorn branches like paint on a studio floor.