New poetry by Andrew Forster
Up the beach a sandstone wall, crumbling
to pinkish powder, is reclaimed by tide
and weather.May 10, 2021Excerpt from The Open Places by Dominic Cooper
The idea of the Old Wood never quite lets go. Its shadow is always there, pressing imperceptibly at the margins of what is light and conscious in us.
May 4, 2021Eight West Dorset Church Porches by Alison Bunning and Virginia Astley
Stepping between diagonal buttresses
they climb the lichened steps
below the swallows’ nests and crenellations
to the shrine of St Wite.April 12, 2021Set in Stone by Sophie Pierce
This place feels like a receptacle of memory. A sanctum. I think it’s why these sites draw me, and why I need to make regular pilgrimages to them.
April 6, 2021Bone Light by Suzanne Joinson
The next day is grey and gloomy, the mist low. I pause. Should I walk amongst the sad trees and down the empty lane?
March 29, 2021One Blue Moment by Simon Smith
Kingfisher is what my brain shouted out to me as it sprinted to catch up. In fact, the first blurred, melded notion that actually occurred to me was Kingfisherflash.
March 23, 2021The Wild Nearby by Julian Hoffman
What made them important to me was the sense that they could heal over you, like sap hardening across the wound in a tree.
March 1, 2021The White in the Woods by Richard Hibbert
From stubby twigs or chunks of wood, ones that were especially replete with water, come the most spectacular flowers of frost.
February 24, 2021New poems by Graham Mort
There are the red cattle, woken
from a cave painting, daubed
with red clay into an old religionFebruary 19, 2021To draw in the footsteps of ghosts by Christine Mackey
Christine Mackey explores the relationship that communities have with newly-planted woodlands.
February 3, 2021Ice Works by Martin Hesp
Snow meant: you do what you want, while nothing else moves and nothing else is happening. This is your white world.
February 1, 2021On Entering the Wrong Carriage by Rachel J Fenton
Only I am taking things slow, of course; nature is busy. The pear tree that two weeks ago resembled me bowed by the weekly grocery shop now has its branches empty.
January 26, 2021
About
THE CLEARING is an online journal published by Little Toller Books that offers writers and artists a dedicated space in which to explore and celebrate the landscapes we live in. Our contributors are encouraged to go forth and find distinctive visions that startle us, rural or urban, modern or prehistoric, industrial, post-industrial, fantastical, natural, political, however they come. But each must be meaningful, surprising, felt.
Submissions
The editors welcome original submissions in written, audio and visual genres. Submission should reflect The Clearing/Little Toller’s concern with the natural environment, but within this broad subject-matter we encourage a diversity of interpretation and approach.
If you’d like to submit work to The Clearing, please email theclearing@littletoller.co.uk. Please refer to the submission guidelines. While we receive many submissions we will get back to you as soon as we are able.
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- Interview (14)
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Podcast
From the Archive
- Words of Life by Nicholas EvansThe reach of faunal extinction, out into places that are …
- New Poems from Isabel Galleymore and Ben SmithThis week we are celebrating the launch of new chapbooks …
- The Wild Nearby by Julian HoffmanWhat made them important to me was the sense that …


